This is my first post on a movie that is still in theaters - and my first post on a Woody Allen movie, whose Blue Jasmine is his best movie in a long time.
The movie has been compared to A Streetcar Named Desire... I would compare the leading role to Jane in Whatever Happened To Baby Jane in terms of totally not caring about your appearance anymore, having hallucinations, drinking... What I am trying to say is that Blue Jasmine is especially worth seeing for the incredible performance of leading actress Cate Blanchett who is going to win the Oscar in february 2014... my prediction. ;-)
Woody Allen has made great movies such as Midnight In Paris, or - of course - Annie Hall (Der Stadtneurotiker), but also movies that leave you wondering what the point in seeing the movie actually was (e.g. Whatever Works). David Denby wrote in The New Yorker that Blue Jasmine is "the strongest, most resonant movie Woody Allen has made in years". This is true.
With the help of flashbacks, Jasmine Francis remembers the life she lived in New York as the wife of wealthy businessman Hal (played by Alec Baldwin) until she lost all her properties and had to move to San Francisco to live with her much poorer sister Ginger (played by Sally Hawkins). One could thus say that there are two plot lines. During the movie we see Jasmine struggle with having to find a job and being too ashamed about her situation to be honest with potential boyfriends - and we also learn how crippled the relationship between the two sisters is. The end culminates in a fight between the two sisters in which Ginger reveals her true feelings for Jasmine.
Woody Allen has made a movie that looks behind the facade of rich people and leaves us feeling sorry for them. Jasmine lives in a marriage full of lies and self-humiliation (especially on her part). She desperately tries to hold on to that life, and is unable to ask for help. In the end we can only pity her and come to the conclusion that Ginger, who works as a cashier in a small grocery store, is much happier in her life than Jasmine has ever been.
Blue Jasmine is a very exhausting movie to see - but in a positive way.
RATING: 4/5
Wednesday, November 20, 2013
Monday, July 1, 2013
OLDIE OR GOLDIE? >>> Citizen Kane (1941)
What you need to know:
- Citizen Kane is a black&white drama directed by Orson Welles who also plays the main character Charles Foster Kane, an extremely wealthy media mogul.
- The story starts with Kane's death. Just before he dies, he whispers the word "Rosebud". The rest of the plot describes journalist Jerry Thompson's research to find out the meaning behind that last word.
- in 1998 AND 2007, Citizen Kane was voted Best American Movie Of All Times by the American Film Instititute (movies after 1996 were not considered).
What you also need to know:
- Citizen Kane is the most boring movie I have ever seen. Really. I always refer to it as "114 minutes of my life I will never get back". XD It just didn't seem to end. Oh boy.
Gold information you can use to annoy stuck up teachers and filmfreaks who think that "Citizen Kane is such a deep, fascinating movie, holy cow!":
- When Kane utters his last word, there is nobody in the room besides him. Which means that nobody even had the chance to hear him say "rosebud". Which means that there is absolutely no logical reason why someone should want to find out what the word means. Which means that the whole story is bullshit.
Here's to you, American Film Institute! ;-)
RATING: OOOOOOOOLDIE.
- Citizen Kane is a black&white drama directed by Orson Welles who also plays the main character Charles Foster Kane, an extremely wealthy media mogul.
- The story starts with Kane's death. Just before he dies, he whispers the word "Rosebud". The rest of the plot describes journalist Jerry Thompson's research to find out the meaning behind that last word.
- in 1998 AND 2007, Citizen Kane was voted Best American Movie Of All Times by the American Film Instititute (movies after 1996 were not considered).
What you also need to know:
- Citizen Kane is the most boring movie I have ever seen. Really. I always refer to it as "114 minutes of my life I will never get back". XD It just didn't seem to end. Oh boy.
Gold information you can use to annoy stuck up teachers and filmfreaks who think that "Citizen Kane is such a deep, fascinating movie, holy cow!":
- When Kane utters his last word, there is nobody in the room besides him. Which means that nobody even had the chance to hear him say "rosebud". Which means that there is absolutely no logical reason why someone should want to find out what the word means. Which means that the whole story is bullshit.
Here's to you, American Film Institute! ;-)
RATING: OOOOOOOOLDIE.
Monday, June 24, 2013
Precious (Precious - Das Leben ist kostbar; 2009)
I finished the movie Precious a few
minutes ago. I knew it already, since I saw it in the theatre 3 years ago, and still I am experiencing the dire need to give someone hell because
this world can be a sick place sometimes. It is needless to say that
Precious is a very upsetting movie that some people will find unbearable to
watch.
Clarice “Precious” Jones (played by
Gabourey Sidibe) is an illiterate, heavily overweight, African-American teenage
girl who lives with her mother in the ghetto of Harlem, New York. She is
pregnant with her second child. The father of both children is her mother’s
ex-boyfriend – Precious’s own dad. Her mother (played by comedian Mo’Nique who
won the Oscar for this role) is unemployed and abuses Precious physically and
emotionally mostly because her ex-boyfriend was less interested in having sex
with her than in raping her daughter (yes, seriously).
When her principal finds out about
Precious’s second pregnancy, she takes her out of school and wants her to
attend an alternative school project. This project finally opens a window and
Precious slowly begins to learn that there are actually people who care for
her.
Precious has been compared to The
Color Purple, and yes, there are a few parallels. Both movies are Cinderella
stories set in an African-American background. I would say that Precious is just as cruel –
but surprisingly less of a tearjerker – and appears to have a more realistic
ending. It is one of the few movies which are hard to describe as “great!”
because it is just so depressing and sickening. Why should you watch it then?
Well, because it is wrong to close your eyes at other people’s suffering. And because
this is one of the movies with a perfect cast and impressive acting performances.
That’s why.
RATING: 5/5
Thursday, May 23, 2013
Disney's Fantasia (1940) / Fantasia 2000 (1999)
I am a die-hard Walt Disney fan. The first movie I ever saw was The Jungle Book - I must have been around 4 years old - and my parents did a wonderful job of introducing my sister and me to the wonders of Disney's art. However, I had never even heard of Fantasia until 2009.
Fantasia is number three (!) in the row of Disney movies and surprisingly long (120 min). It consists of nine animated sequences set to pieces of classical music such as Tchaikovsky's Nutcracker Suite, or Rite Of Spring by Igor Stravinsky. The adaptation of Modest Mussorgsky's Night On A Bald Mountain might be a little scary for children.
It would be shameful to give away the content of each episode. What I can give away, however, is that you are going to see something so beautiful that it will make you gasp and think, how on earth can human beings create art like this?
When you look up Fantasia on wiki, you will see that not all of the reviews were positive. The movie has been described as "an overwhelmingly ambitious orgy of color, sound, and imagination", but also as "grotesquely kitschy". While I would agree that one or two sequences are at least bordering on being cheesy, I think that the others are simply an ode to the magic you can create with pen and paper. As a Disney lover, Fantasia is a dream come true.
RATING: 5/5
Fantasia 2000
Fantasia 2000 is the sequel to the movie I just talked about.
This time, each sequence is introduced by celebrities such as Bette Midler or Quincy Jones. The highlights are the adaptation of George Gershwin's Rhapsody In Blue, and the adaptation of Igor Stravinsky's Firebird Suite. Apart from these two, I would not consider this movie a must-see when comparing it to its older brother. Describing it as only mediocre would be wrong, though.
Fantasia 2000 is less cheesy than its predecessor, but at the same time lacks a great deal of the original's magic and charm. Fans of Fantasia should probably see this movie so they can say they know them both. As for people who only know the new movie, I would highly suggest they watch the first one.
RATING: 4/5
Friday, May 17, 2013
A Beautiful Mind (A Beautiful Mind - Genie und Wahnsinn; 2001)
Sometimes Hollywood makes unbelievably WRONG decisions. One of those was not giving Russel Crowe the Oscar for his performance in this movie (no, really, he did not win it). While many people might refer to gladiator Maximus as the role of his life, I think that he was even more brilliant when he played the mathematician John Forbes Nash.
Not only is this movie full of great actors who do amazing jobs (besides Crowe, we find Ed Harris, Paul Bettany, Christopher Plummer, and, of course, the wonderful Jennifer Connelly). It also manages to interweave several types of movie (romantic comedy, drama, horror movie) with an absolutely captivating result where everything fits together.
It's not just the (true!) story of Nash who is trying to make the breakthrough as a scientist and develops a schizophrenic psychosis, or the part about how he meets his first girlfiriend Alicia (played by Jennifer Connelly) and how he tries to win her heart despite being very socially awkward. (I especially love this part: Russel Crowe is so adorable as the nerd who would do anything to make Alicia return his feelings.)
The soundtrack is just as brilliant - sometimes threatening and sinister, other times so sweet that it always makes me teary (opening scene!) -, and tops off what I consider one of my favorite movies of all time.
Some of you might have seen A Beautiful Mind already. If so, you know how beautiful it is. If you haven't seen it yet, you should. Prepare yourself with a box of tissues and a cushion to hold on to during the scary parts. You won't regret it.
RATING: 5/5
Not only is this movie full of great actors who do amazing jobs (besides Crowe, we find Ed Harris, Paul Bettany, Christopher Plummer, and, of course, the wonderful Jennifer Connelly). It also manages to interweave several types of movie (romantic comedy, drama, horror movie) with an absolutely captivating result where everything fits together.
It's not just the (true!) story of Nash who is trying to make the breakthrough as a scientist and develops a schizophrenic psychosis, or the part about how he meets his first girlfiriend Alicia (played by Jennifer Connelly) and how he tries to win her heart despite being very socially awkward. (I especially love this part: Russel Crowe is so adorable as the nerd who would do anything to make Alicia return his feelings.)
The soundtrack is just as brilliant - sometimes threatening and sinister, other times so sweet that it always makes me teary (opening scene!) -, and tops off what I consider one of my favorite movies of all time.
Some of you might have seen A Beautiful Mind already. If so, you know how beautiful it is. If you haven't seen it yet, you should. Prepare yourself with a box of tissues and a cushion to hold on to during the scary parts. You won't regret it.
RATING: 5/5
Thursday, May 16, 2013
Secretary (Secretary - womit kann ich dienen?; 2002)
Forget 50 Shades Of Grey. Forget
everything you have read about 50 Shades Of Grey. Also, forget the book’s
thesis that people who enjoy getting spanked or using whips and chains in their sex
life are brutal maniacs who don't give a f*** about the RACK principle (http://en.wikipedia.org/wiki/RACK). It is sad that E. L. James seems to be mentally
stuck in a time long before the 21st century. (It is also sad that
her book could easily be considered a rip-off which was “inspired” by this
movie.)
Luckily, some people know it is
possible to tell a story about a BDSM relationship without suggesting that everyone who is not (or not exclusively) into
vanilla sex is in dire need of psychoanalysis and therapy. Secretary is very
moving and impressive, and Maggie Gyllenhaal will knock your socks off. Director Steven Shainberg never makes fun of the characters
and tries to simply tell the story of two people who fall in love.
The young woman Lee Holloway
(played by Maggie Gyllenhaal) comes home after spending a few months in a
psychiatric hospital for attempting suicide. Lee insists that her being
institutionalized was a misunderstanding because she never intended to kill
herself (even though she has a tendency of cutting herself). She is portrayed as socially awkward, sensitive, and creative. After learning to type,
she begins to work for the attorney E. Edward Grey (!!!; played by James
Spader) who hires her despite her unprofessional appearance. Lee also starts to
date Peter, an acquaintance from high school.
At first, Grey is very irritated by
Lee’s grammar mistakes. But soon he finds himself aroused by her submissive
behaviour. He openly confronts her with the problem of cutting herself and
demands her not to do that again. They start a BDSM relationship in which Lee
experiences a sexual and personal awakening. She stops cutting herself and
falls in love with Grey. Grey, however, is concerned and ashamed about his
feelings for her and eventually fires her.
Peter proposes to Lee and she reluctantly
agrees to marry him. While she is trying on her wedding dress, she leaves and
runs to Grey’s office to declare her love for him.
Will the two get together?
RATING: 4.5/5
RATING: 4.5/5
Friday, May 10, 2013
Requiem For A Dream (2000)
There are movies whose soundtrack
is just as famous as the movie itself. Good examples are the Lord Of The Rings
trilogy, Psycho, or Jaws (Der weiße Hai). Clint Mansell’s Lux Aeterna is
portentous, and scary, and at the same time incredibly catchy. Listening to it
will likely make every single hair on your body stand on end and you might feel
goosebumps even on your face. At least I did.
Once you have listened to it,
chances are that it will linger somewhere in your memory for as long as you live
because it is so very dark and poignant. It builds like a tidal wave and then
crashes over you leaving you raw and shocked and vulnerable. It might make you
cry your heart out. It is therefore likely that you won’t be able to stand
listening to the whole piece. (here it is. http://www.youtube.com/watch?v=hKLpJtvzlEI )
These things also hold true for the
movie that Lux Aeterna was composed for: Darren Aronofsky’s disturbing masterpiece Requiem
For A Dream.
The main character is Sara Goldfarb
(played by Ellen Burstyn) who suffers from her life as a lonely widow
in her mid-fifties. She spends her time sitting outside the house gossiping
with a group of other women, and watching a tv show in which the protagonist
constantly claims that not eating meat, sugar, or having orgasms, changed her
life. Her son Harry (played by Jared Leto) is a drug addict. He has his own
apartment but comes home now and then to steal Sara’s TV and take it to the
pawnbroker so he can buy new drugs. His friend Tyrone (played by Marlon Wayans), who
helps him with drug dealing, and his girlfriend Marion (played by Jennifer Connelly) are addicts, too.
All four protagonists pursue the
famous American Dream in the sense of trying to become rich and/or change their
current lives into something better. Sara owns a red dress which is way
too small for her by now and which reminds her of the “good old times”. Her
husband loved for her to wear it, and she also wore it when Harry graduated
from high school. When one day she receives a phone call which announces she
will be invited to participate in a game show, she starts to become obsessed
with losing enough weight to fit into the red dress again. Harry wants to
become a rich business man so he can help Marion open a fashion store for her
designs. Marion hopes to escape from her psychologist and her parents’
authority. Tyrone, as a child, promised his mother he would not spend his whole
life on the streets.
As the movie proceeds, the
protagonists’ lives fall victim to their dreams and we are pulled into a tornado
of psychoses and prostitution and misery. This movie comes close to a very realistic nightmare and leaves
us shocked and numb. It is absolutely worth seeing – not just for the fantastic
performances of each actor (esp. Ellen Burstyn) but also for its plot and
music – but you might not want to watch it by yourself.
Considering that Darren Aronofsky
also directed The Wrestler and Black Swan, we can see that he obviously has a thing
for the dark side in human beings. He tells the story of four people who
destroy their lives because they desperately hang on to an unrealizable dream –
or is it really the dream which destroys their lives?
RATING: 4.5/5
RATING: 4.5/5
Wednesday, May 8, 2013
Love Me If You Dare (Liebe mich wenn du dich traust; 2003)
Close friends of mine might know how much I adore Marion Cotillard. I was never big on French actresses until I watched her incredible performance of Edith Piaf in La Vie En Rose. At that time I wasn't too big on French movies, either, until I watched this movie: Love Me If You Dare. Voilá, my heart was drenched in wine (thanks for that one, Norah)...
French movies about love often come with little twists which makes them different from the usually predictable Hollywood stuff where everyone knows that the main actor is going to get together with the main actress at the end. Seriously, guys, people who go to the movies want to be entertained, not bored.
This wonderful movie now is full of surprising twists, and one could refer to it as "'Harry and Sally' gone amok". (Yes, it is romantic. I promise.)
Before turning into a matter of life and death, everything starts with the friendship between a little boy named Julien and a little girl named Sophie - and with a pretty tin box given to Julien by his fatally ill mother. Since Sophie is being bullied at school, Julien gives the box to her to cheer her up under the condition that she lends him the box from time to time. Sophie demands proof of how important it is to him. This is the beginning of a game in which the box changes its owner after a completed dare.
As they grow older, Julien (now played by Guillaume Canet) and Sophie (now played by Marion Cotillard) slowly begin to fall in love with each other but neither wants to admit it. Too afraid of being rejected, their dares become more extreme and the two continue their perverted game well into their thirties until...
The (of course, French) philosopher and scientist Blaise Pascal said the famous words "The heart has its reasons, which reason does not know" (in German usually translated as "das Herz hat Gründe, die der Verstand nicht kennt"). Love Me If You Dare shows just how true Pascal's statement is, and you will find yourself thinking about it for quite a while. Watching the two protagonists deliberately hurt each other so that neither has to confess their love can only be described as an emotional roller coaster from which we can't seem to escape. Yes, it is stupid. Yes, the two are their own worst enemies.
But isn't that what people in love do: silly things?
RATING: 5/5
French movies about love often come with little twists which makes them different from the usually predictable Hollywood stuff where everyone knows that the main actor is going to get together with the main actress at the end. Seriously, guys, people who go to the movies want to be entertained, not bored.
This wonderful movie now is full of surprising twists, and one could refer to it as "'Harry and Sally' gone amok". (Yes, it is romantic. I promise.)
Before turning into a matter of life and death, everything starts with the friendship between a little boy named Julien and a little girl named Sophie - and with a pretty tin box given to Julien by his fatally ill mother. Since Sophie is being bullied at school, Julien gives the box to her to cheer her up under the condition that she lends him the box from time to time. Sophie demands proof of how important it is to him. This is the beginning of a game in which the box changes its owner after a completed dare.
As they grow older, Julien (now played by Guillaume Canet) and Sophie (now played by Marion Cotillard) slowly begin to fall in love with each other but neither wants to admit it. Too afraid of being rejected, their dares become more extreme and the two continue their perverted game well into their thirties until...
The (of course, French) philosopher and scientist Blaise Pascal said the famous words "The heart has its reasons, which reason does not know" (in German usually translated as "das Herz hat Gründe, die der Verstand nicht kennt"). Love Me If You Dare shows just how true Pascal's statement is, and you will find yourself thinking about it for quite a while. Watching the two protagonists deliberately hurt each other so that neither has to confess their love can only be described as an emotional roller coaster from which we can't seem to escape. Yes, it is stupid. Yes, the two are their own worst enemies.
But isn't that what people in love do: silly things?
RATING: 5/5
Sunday, May 5, 2013
Howl (Howl - Das Geheul; 2010)
The movie
Howl (2010) is a monument to an artist and his most famous work of literature.
James Franco brilliantly portrays the poet Allen Ginsberg as a fragile man who suffers under the circumstances he lives in and believes in his art as the only way of being true to himself as well as honest to the world. Not only does he resemble Ginsberg (who explains his working process and his reasons for writing Howl in taped interviews which make up a third of the movie). He also manages to convey the atmosphere of the poem and makes us feel its intensity in a scene where he reads it out to an audience at the Six Gallery in October 1955– an audience who hang onto his lips because both the poem and its writer seem to be what they had been looking for: Someone who shares their thoughts and inner conflicts. Someone who understands.
James Franco brilliantly portrays the poet Allen Ginsberg as a fragile man who suffers under the circumstances he lives in and believes in his art as the only way of being true to himself as well as honest to the world. Not only does he resemble Ginsberg (who explains his working process and his reasons for writing Howl in taped interviews which make up a third of the movie). He also manages to convey the atmosphere of the poem and makes us feel its intensity in a scene where he reads it out to an audience at the Six Gallery in October 1955– an audience who hang onto his lips because both the poem and its writer seem to be what they had been looking for: Someone who shares their thoughts and inner conflicts. Someone who understands.
However,
the main character can actually be considered the poem itself which is read by
a man whose identity we do not know unless we fast forward to the credits at the
end of the movie. His dark threatening voice coheres with animated sequences
which underline the poem and enhance its meaning to the point where he might be saying a prayer instead of what might be the most controversial poem
of the 20th century.
This brings us to the actual plot: the 1957 obscenity
trial against Lawrence Ferlinghetti, co-founder of City Lights Bookstore and
the first person to publish the poem in “Howl and other poems”. David
Strathairn plays the attorney Ralph McIntosh who represents the bigotry and prudery of
the 1950s. His opponent Jake Ehrlich, played by John Hamm, believes in freedom
of speech and artistic license. During the process where a few literary experts
are asked to give their opinion of the poem, Ehrlich manages to reveal their
double standards and poses the question if a piece of writing can only be
considered art if it lives up to the reader’s expectations and society’s idea
of what should be uttered in public. The result of the process, as groundbreaking
as it might have been at that time, could have been portrayed in a much more
spectacular way. People who were not familiar with the case before seeing the
movie, like me, might be a little disappointed.
However, the real Allen Ginsberg
makes it clear that he never cared much about the public opinion. It is therefore
only logical that the directors Rob Epstein and Jeffrey Friedman put most
emphasis on the poem itself in a way that makes us want to read it at once. Howl
shows what a movie on a poem can and should do.
RATING: 4.5/5
RATING: 4.5/5
Sunday, February 24, 2013
Oscar Nominees 2013....SO excited!
who I think is going to win:
Best Movie: Argo
Best Actress: Jessica Chastain
Best Supporting Actress: Anne Hathaway
Best Actor: Daniel Day-Lewis
Best Supporting Actor: Christoph Waltz
who I want to win (or would also be satisfied with, but not as much ;-) ):
Best Movie: Les Miserables (probably just coz I haven't seen Argo yet) / (Zero Dark Thirty)
Best Actress: Jessica Chastain / (Naomi Watts / Jennifer Lawrence)
Best Supporting Actress: Anne Hathaway
Best Actor: Hugh Jackman / (Joaquin Phoenix / Daniel Day-Lewis)
Best Supporting Actor: Christoph Waltz
Best Movie: Argo
Best Actress: Jessica Chastain
Best Supporting Actress: Anne Hathaway
Best Actor: Daniel Day-Lewis
Best Supporting Actor: Christoph Waltz
who I want to win (or would also be satisfied with, but not as much ;-) ):
Best Movie: Les Miserables (probably just coz I haven't seen Argo yet) / (Zero Dark Thirty)
Best Actress: Jessica Chastain / (Naomi Watts / Jennifer Lawrence)
Best Supporting Actress: Anne Hathaway
Best Actor: Hugh Jackman / (Joaquin Phoenix / Daniel Day-Lewis)
Best Supporting Actor: Christoph Waltz
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